"...a
hilarious, tough, emotional journey through one man's search for
self-confidence, friendship, and love, DON'T CALL ME WALTER! is an
entertaining and moving piece of theatre..."
-ENTERTAINMENT TODAY
"A one-man tour de force!"
-Theatermania.com
"VALIANT!"
-METRO LA
"Hilarious"
-The Tolucan Times
"Shocking"
-LA WEEKLY
| DON'T CALL ME WALTER! |
Press Release What happens to a fat, OCD ridden, Filipino boy with a
nun-like mom? He grows up with models, the search for fame and a
Rolex watch with a history. DON'T CALL ME WALTER! marks actor Christian
Moralde's foray into the one-person show complete with a personal journey
full of past celebrity encounters, biting humor and candid drama. This
original one-person show, written and performed by Moralde launched it's
world premiere at the Meta Theatre on Melrose Avenue in Los Angeles on
June 17, 2005. The show will run approximately ninety minutes without
intermission. DON'T CALL ME WALTER! was conceived in 2001 in response
to Moralde's exposure to the theatre scene on Broadway and conversations
with his mentor (and show's director) Charles St. Clair. Over the
course of three years, Moralde has cultivated his writing to include personal
moments of joy, fear and hurt. Under the guidance of the show's
mentors, Elyse Dinh-McCrillis & Dana Kenerson, and instruction from
his solo performance instructor, Stacie Chaiken, Moralde was able to workshop
certain segments of his show at the Powerhouse Theatre in Santa Monica,
California. These performances met with great appreciation
from audience members. Believing that he has always had a "story
to share and tell," Moralde feels that his stories reveal personal
moments in the same vein as his inspirations Nia Vardalos, John Leguizamo,
and Margaret Cho. Just think about it, we could have a whole day like Earth Day or Gay Pride Day or Groundhog Day dedicated to just us! We can call it ASS DAY (which stands for Actors Self-esteem Sucks.) The streets can be lined with booths offering extra work, liposuction, temp jobs and Scientology workshops. And, everywhere you go you would find flyer after flyer advertising for professional photo retouching. Every hour on the hour, there would be different classes and sessions all ending with the word "me." Like a "validate me", "Hit on me", "don't hit on me", "hit on me", or "my high-school reunion and me." And the day would culminate with each participant standing on stage for five minutes each, doing nothing. They would just stand there and the crowd would shout out accolades of compliments and cheers. For we are one! We are actors! And we are born to be everyone, but ourselves. |